Oh sheen, where art thou?

[Claes]

I am puzzled.

I own a "few" inks, a "few" fountain pens, and a "few" paper qualities.

Despite that fact, it is not so easy to make sheen visible in normal writing.

 

Evidently, Iroful, Mitsubishi Bank, and Cosmo Snow are presently considered 

the best for fountain pen ink. Unfortunately, the last two are not manufactured

any longer.

 

That leaves me with Iroful , and yes, that paper works fine for me.

Lamy Blackberry ink dries into a nice golden sheen using <XF>, <F>, and <M> nibs.

 

But really, ought there not be many, many more paper qualities that would be able to show sheen?

How do you handle sheen? What combinations work for you?

 

Have fun!
Claes in Lund, Sweden

 

[LizEF]

Some scientist will probably show up eventually and correct me, but my understanding is that sheen requires "excess" ink drying atop the page.  This yields something "crystal-like" that reflects the light (or a different portion of the light).  Therefore, you need a non-absorbent paper and a wet pen.

 

...So, are your pens dry?  Are your papers absorbent?

[Mercian]

21 minutes ago, Claes said:

What combinations work for you?

 

Back in the early 2000s, Parker Penman Sapphire dispensed by a Parker Vector 'M' and Parker Jotter 'M', on Basildon Bond writing paper, and on some of the glossier paper we had in the office (I have no idea of its identity).

 

More recently, on the previous version of Oxford 'Optik' paper (I have yet to try their newer, 'Optik+'), I have seen sheen from:

Lamy 'Dark Lilac' (from 2016) in Safaris with 'F' and 'M' nibs;

Pelikan Edelstein Tanzanite in my Pelikan piston-fillers and my Lamy 2000 'F';

Pure Pens 'Saltire' in a wettish Parker 75 'M'.

I'll add more if I remember them.

[Mercian]

5 minutes ago, LizEF said:

Therefore, you need a non-absorbent paper and a wet pen.

 

Yes, ↑ this.

 

I would add that sheen is probably only obtainable when writing an ink that has a heavy dye-load.

[LizEF]

1 hour ago, Mercian said:

ink that has a heavy dye-load.

Yes!  The high concentration is required.  Also, I forgot to mention the angle of the light - you might see sheen regardless of the angle from super-sheeners, but otherwise, you really need the light to come at the paper from an angle (or within the proper range of angles).

 

(Super-sheeners will give you the lovely experience of leaving invisible flakes of dried ink in places you didn't know existed and those flakes will multiply and migrate around your home, car, office, etc. and reveal themselves decades after the fact when something ever so slightly damp comes into contact with the flake, thus causing confusion to all present. (It's possible there's a tiny bit of hyperbole in that statement, but not much.))