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I don't know if it makes a difference, but the side slits on a steel dip pen are made before they "round" the nib, while it is still a flat piece of steel.

 

I've seen modders who do make cut-outs on the side, which is roughly the same idea but just more extreme, probably because a simple slit may not get you the needed relief in the thicker, less springy stainless steel used in fountain pen nibs.

 

“When the historians of education do equal and exact justice to all who have contributed toward educational progress, they will devote several pages to those revolutionists who invented steel pens and blackboards.” V.T. Thayer, 1928

 

Check out my Steel Pen Blog. As well as The Esterbrook Project.

"No one is exempt from talking nonsense; the mistake is to do it solemnly."

-Montaigne

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  On 5/6/2020 at 7:52 PM, Eusorph said:

I have a question. Looking at my calligraphy nibs, I see a very simple method being used to add flex and I am just wondering if this has been tried on fountain pen nibs and to what degree of success. Many of the best calligaphy nibs simply have two slits cut above the shoulders of the nibs, near the tine. Just two simple cuts and flexy magic happen.

 

IMG_20200506_211016.jpg

IMG_20200506_211038.jpg

IMG_20200506_211101.jpg

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the amount of bending, flexing of the tines depends on the length of steel material from the hole to the open end (before they go over into the round portion of the nib) of the tines.  The shorter, the more bending.  There is a limit.  When this length gets too short, the steel goes into plastic deformation... end of flex.

with kindness...

 

Amadeus W.
Ingeneer2

visit Fountain Pen Design

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  On 5/8/2020 at 7:13 AM, Eusorph said:

 

Thank you. Considering that the cut is still used nowadays on calligraphy nibs, I think it does what it is supposed to do. I just wish some of the people here, with the tools to do it, would try the cut and repost on the results. I'd do it, but I don't have the tools.

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It has been done, early in this forum, however, instead of slits, they ground "scallops" along the outside edge.  From a technical point, they have the same effect.

with kindness...

 

Amadeus W.
Ingeneer2

visit Fountain Pen Design

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  On 5/8/2020 at 7:15 AM, Eusorph said:

 

I don't have the knowledge to do it. Also, Kanwrite flex nibs don't have any vent holes, so the model doesn't apply. Also, also, I would prefer a real life test on a nib from Kanwrite, that already has a long slit, to know for sure.

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You can drill a hole at the end of the slit.  Remarkable result.

with kindness...

 

Amadeus W.
Ingeneer2

visit Fountain Pen Design

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  • 2 weeks later...

And to add to this, I've now found out specifically what kind of steel the old dip pens were made out of. 

 

Pretty much all steel pens made up until WWI in both the US and the UK were made of what used to be called Cast Steel, but was later named Crucible Steel from Sheffield. This came in various grades and they used the top grade, made from Swedish iron ingots. 

 

This was a very expensive steel, but was so highly prized by tool makers that they continued to use it on tools with a cutting edge (like chisels, plane blades, etc...) until it finally went completely away in the early 1950's. The same qualities that made it so desirable for tool makers also made it the perfect steel for pens. When properly tempered, cast or crucible steel is a dense, fine steel with superior flexibility and spring. The crystalline structure is consistent and that consistency is what helps give it that wonderful balance between flexibility and strength, even when very, very thin. 

 

Crucible steel was not as cheap as Bessemer, it required a very time-consuming and labor-intensive process to make, but the quality was worth it when the need demanded. 

 

To read more about how steel pens were made, subscribe to the Pennant, the journal of the Pen Collectors of America. My next article(s) will describe this process in detail. 

 

To learn more about how cast steel was made, this website is quite helpful. Crucible steel - the small workshop

 

“When the historians of education do equal and exact justice to all who have contributed toward educational progress, they will devote several pages to those revolutionists who invented steel pens and blackboards.” V.T. Thayer, 1928

 

Check out my Steel Pen Blog. As well as The Esterbrook Project.

"No one is exempt from talking nonsense; the mistake is to do it solemnly."

-Montaigne

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Thank you AAAndrew for that interesting post.

 

As for nibs with side slits, lookup "Mallat 50 nib" in eBay. They do exist. Problem with these I mention, is that they are not exactly a #5, having a rear end that is thinner than that and a forward end that is somewhat wider. But they are neat anyway and lots of fun.

If you are to be ephemeral, leave a good scent.

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Thanks for the fascinating information on crucible steel, AAAndrew, and the link to the excellent smallworkshop.co.uk site. The history of the technological and material expertise that lie behind the performance of a vintage dip pen nib really explains why they work so beautifully as writing instruments.

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Fascinating indeed, Andrew. Modifying a Pilot steel nib from a Metropolitan made me realize some of the difference in steel quality. It was workable and forgiving, for lack of a better term. 

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  • 2 weeks later...
  On 12/18/2020 at 1:12 PM, bobje said:

Fascinating indeed, Andrew. Modifying a Pilot steel nib from a Metropolitan made me realize some of the difference in steel quality. It was workable and forgiving, for lack of a better term. 

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Do the pilot steel nib has a quick "snap back"?

I'm looking for a very fine nib that can give me some line variation when writing quickly, like a dip pen. Not like those super fat lines people do when showing off vintage flex.

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Mario,

my modification was for an italic nib, so I’m not sure how a scallop mod would affect a Pilot Metropolitan nib. 

Reviews and articles on Fountain Pen Network

 

CHINA, JAPAN, AND INDIA

Hua Hong Blue Belter | Penbbs 456 | Stationery | ASA Nauka in Dartmoor and Ebonite | ASA Azaadi | ASA Bheeshma | ASA Halwa | Ranga Model 8 and 8b | Ranga Emperor

ITALY AND THE UK

FILCAO Roxi | FILCAO Atlantica | Italix Churchman's Prescriptor

USA, INK, AND EXPERIMENTS

Bexley Prometheus | Route 54 Motor Oil | Black Swan in Icelandic Minty Bathwater | Robert Oster Aqua | Diamine Emerald Green | Mr. Pen Radiant Blue | Three Oysters Giwa | Flex Nib Modifications | Rollstoppers

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thanks anyway Bob. Which nib do you think could be modified to be closer to a dip nib effect? In terms of snapback

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Attached is a .pdf table of the downward force needed to flex some dip-pen nib tines open to a width of 1.5mm.

 

The values are measurements I made a few years ago on some of my collection of dip pen nibs.

 

1.5mm parallel lines were marked on the top of a screw lid of a very old Quink bottle (hard smooth and slippery). Bottle and lid placed on digital kitchen scales, tared to zero. Pen pressed down onto lid and dragged slowly to break "stiction", whilst adjusting force applied by hand until the pen tine tips bent outwards to match width of the 1.5mm lines. (I think my wrist was supported on a pile of books next to the scales). I recal going rather cross-eyed reading both the digital weight display and monitoring the pen's tine spread width at the same time.

Results were repeatable to around +/-10%. That was adequate accuracy to categorise and separate out the pens having different degrees of flex.

 

If a pen name is repeated in the attached table that is because I found some samples from that box of pens deviated from the others.

 

Purpose of the test was to find a measurable stiffness value that suited my pen drawing style, and then modify the flex of any dip pen to give that same value.

 

 

my_dip_pens_flexdata.pdfFetching info...

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  • 1 month later...
  On 12/27/2020 at 6:27 PM, SpecTP said:

anyone have pens from this vendor, BlueDew Pens? https://www.bluedewpens.com/shop/p/nibs

 

I ordered a few nibs and am looking forward to trying them out

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Did you receive your Nibs?
I also ordered a pair of them and received them a month later.
I am interested in knowing your thoughts on them.

Eat The Rich_SIG.jpg

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  On 2/12/2021 at 4:30 PM, Detman101 said:

Did you receive your Nibs?
I also ordered a pair of them and received them a month later.
I am interested in knowing your thoughts on them.

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 I did receive the nibs. I am currently playing with them. I have them mounted on my Namisu pens. they are very flexible and take quite a light touch.

 

IMG-0978.jpg

IMG-0979.jpg

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  On 2/17/2021 at 6:52 PM, SpecTP said:

 

 I did receive the nibs. I am currently playing with them. I have them mounted on my Namisu pens. they are very flexible and take quite a light touch.

 

IMG-0978.jpg

IMG-0979.jpg

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Splendid!
Unfortunately, I was very disappointed with the performance of the nibs.
Having never tried "un-tipped" nibs before, this was quite a shocking experience in scratchiness and the tines getting stuck in the paper on anything but a downstroke. I did love the absolute hair-thin lines that the nibs produced and the level of Flex was PHENOMENAL!!!
But getting stuck in the paper was a deal-breaker...

Needless to say, this experiment has been put away until I have a dedicated pen to practice "Dip-Pen" style writing with. My main pens will stay with their regular/usual flex nibs.

Eat The Rich_SIG.jpg

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  On 2/17/2021 at 6:59 PM, Detman101 said:


Splendid!
Unfortunately, I was very disappointed with the performance of the nibs.
Having never tried "un-tipped" nibs before, this was quite a shocking experience in scratchiness and the tines getting stuck in the paper on anything but a downstroke. I did love the absolute hair-thin lines that the nibs produced and the level of Flex was PHENOMENAL!!!
But getting stuck in the paper was a deal-breaker...

Needless to say, this experiment has been put away until I have a dedicated pen to practice "Dip-Pen" style writing with. My main pens will stay with their regular/usual flex nibs.

Expand  

 

I did noticed the tines sticking on some paper, but not on tomoe paper.

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  On 2/17/2021 at 6:59 PM, Detman101 said:


Splendid!
Unfortunately, I was very disappointed with the performance of the nibs.
Having never tried "un-tipped" nibs before, this was quite a shocking experience in scratchiness and the tines getting stuck in the paper on anything but a downstroke. I did love the absolute hair-thin lines that the nibs produced and the level of Flex was PHENOMENAL!!!
But getting stuck in the paper was a deal-breaker...

Needless to say, this experiment has been put away until I have a dedicated pen to practice "Dip-Pen" style writing with. My main pens will stay with their regular/usual flex nibs.

Expand  

 

  On 2/17/2021 at 8:07 PM, SpecTP said:

 

I did noticed the tines sticking on some paper, but not on tomoe paper.

Expand  

 

 

These look very similar to the Zebra or vintage dip pen nibs that I have turned into Frankenpens on occasion with good results.

 

When you are ready to try again, I would second SpecTP’s suggestion to use a very smooth paper—Tomoe, Rhodia, Clairefontaine or, to a lesser degree, something like HP Premium 32 lb.

 

Dip pens are typically held at a shallower angle to the paper so try modifying your grip to accomplish this.

 

And finally, a little careful smoothing on Micro-Mesh, Arkansas stone, or another fine abrasive may help.  The nib is not tipped, after all.

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      I have a Conway Stewart Trafalgar set. It was previously owned by actor Russell Crowe and includes a letter from him. Can anyone help me with assessing its value?
    • Sailor Kenshin 15 July 17:41
      There must be a couple of places here to share artworks.
    • T.D. Rabbit 15 July 12:45
      Hullo! I really like making ink doodles, and I'd like to share a few. Anywhere on the site I can do so? Thanks in advance!
    • Sailor Kenshin 6 July 17:58
      Pay It Forward.
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