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The Lost Art Of Writing


The Good Captain

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the most obvious difference between language expressed via writing (pen, brush, chisel, etc.) versus that expressed via keyboard is the fairly extensive spacial considerations in the former and the relative absence of such in the latter. In written expression, visual systems are active to monitor both content and design (execution in space) on the page. This design monitoring (feedback) is dynamically active at the stroke, letter, word, and page levels. In keyboarding, content may be monitored similarly, but regarding design, the first two aspects are fixed. The font is not dynamically created or recreated by the keyboarder. Feedback loops absolutely necessary for writing can thus be bypassed for keyboarding.

 

By the way, this is a very interesting point. I'm surprised it wasn't picked up.

 

It's a straightforward but important suggestion: writing longhand requires very particular physical and mental skills missing in typing.

Damon Young

philosopher & author

OUT NOW: The Art of Reading

 

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THE ULTIMATE BATTLE FOR PET SUPREMACY

 

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VS.

 

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Guess which one weighed 125 pounds and stood 28 inches at the shoulder.

The liberty of the press is indeed essential to the nature of a free state; but this consists in laying no previous restraints upon publications, and not in freedom from censure for criminal matter when published. Every freeman has an undoubted right to lay what sentiments he pleases before the public; to forbid this, is to destroy the freedom of the press; but if he publishes what is improper, mischievous or illegal, he must take the consequence of his own temerity. (4 Bl. Com. 151, 152.) Blackstone's Commentaries

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I think there's no right or wrong to this - just different POVs and opinions.

 

This article reflects how times have changed and what was previously common practice now slowly becoming an increasingly rarer practice. Most of the younger ones have different priorities now so what suited us before may not now for many of them.

 

Occasionally, I'm told that my writing isnt legible. Hey no problem, I adjust and write print instead.

 

Penmanship is not a lost art just yet, and with what I've seen here in the forum threads - nowehere near in the deep end of the ocean yet.

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the most obvious difference between language expressed via writing (pen, brush, chisel, etc.) versus that expressed via keyboard is the fairly extensive spacial considerations in the former and the relative absence of such in the latter. In written expression, visual systems are active to monitor both content and design (execution in space) on the page. This design monitoring (feedback) is dynamically active at the stroke, letter, word, and page levels. In keyboarding, content may be monitored similarly, but regarding design, the first two aspects are fixed. The font is not dynamically created or recreated by the keyboarder. Feedback loops absolutely necessary for writing can thus be bypassed for keyboarding.

 

By the way, this is a very interesting point. I'm surprised it wasn't picked up.

 

It's a straightforward but important suggestion: writing longhand requires very particular physical and mental skills missing in typing.

 

Which suggests two things to me. 1) Writing longhand more effectively exercises the brain. If, as some believe, keeping the brain stimulated confers some protection against Alzheimer's and other forms of dementia, writing longhand would likely provide superior prophylaxis. 2) Writing longhand, since it requires coordinated activities from more parts of the brain, may provide a superior engine for synthesis and resynthesis (of ideas).

Edited by Mickey

The liberty of the press is indeed essential to the nature of a free state; but this consists in laying no previous restraints upon publications, and not in freedom from censure for criminal matter when published. Every freeman has an undoubted right to lay what sentiments he pleases before the public; to forbid this, is to destroy the freedom of the press; but if he publishes what is improper, mischievous or illegal, he must take the consequence of his own temerity. (4 Bl. Com. 151, 152.) Blackstone's Commentaries

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Currently being a part of a high school environment, I see that cursive is frowned upon by students and teachers do not remotely care whether students print or write in cursive. I write in cursive all the time and most students do not like it at all. They claim they can't read it but I reply kindly letting them know that they too were taught it and it is a far superior method of putting thoughts down on paper. Not only is cursive more enjoyable for me to write, it is much extremely more efficient and fast to write in one continuous flowing work without picking my pen up from the paper for every letter. Combine cursive with the use of a fountain pen and one is good to go! Goodbye computers.

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At least the power supply to my pens is continuous, and I don't have to keep up with technological advances. You put liquid in a tube and trust that it will come out of a much narrower opening in a controlled manner.

That's all there is to it.

The Good Captain

"Meddler's 'Salamander' - almost as good as the real thing!"

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Which suggests two things to me. 1) Writing longhand more effectively exercises the brain. If, as some believe, keeping the brain stimulated confers some protection against Alzheimer's and other forms of dementia, writing longhand would likely provide superior prophylaxis. 2) Writing longhand, since it requires coordinated activities from more parts of the brain, may provide a superior engine for synthesis and resynthesis (of ideas).

 

This is an empirical question, so I'm hesitant to speculate too ambitiously.

 

But I'm fairly certain that writing a non-fiction book, for example, is more than enough to keep my brain stimulated. By pen or computer, the brain's working hard.

 

Whether longhand encourages the formation and transformation of ideas is another question. As I've remarked elsewhere, the pen does encourage a certain meditative focus. But it can also leave me more vague or waffly. What's common to both is an exploratory mood of sorts. This certainly backs up your idea, but I'd like to see research to back it up. (As would you, I'm guessing.)

Edited by DAYoung

Damon Young

philosopher & author

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Which suggests two things to me. 1) Writing longhand more effectively exercises the brain. If, as some believe, keeping the brain stimulated confers some protection against Alzheimer's and other forms of dementia, writing longhand would likely provide superior prophylaxis. 2) Writing longhand, since it requires coordinated activities from more parts of the brain, may provide a superior engine for synthesis and resynthesis (of ideas).

 

This is an empirical question, so I'm hesitant to speculate too ambitiously.

Not so much speculation, as musing. Yes, the hypotheses would be difficult to test.

 

But I'm fairly certain that writing a non-fiction book, for example, is more than enough to keep my brain stimulated. By pen or computer, the brain's working hard.

The brain isn't a muscle and their exercise is probably not all that comparable. Exercising a limited number of structures may do little for its overall health. Complexity of interconnections could be much more important than canalization. I'm inclined to believe the mode of expression is at least somewhat significant. Maybe dictating a thesis (in Japanese) on symbolic logic while tap-dancing is the ultimate brain exercise.

 

I know that for me, the task prejudices my choice of weapon. For example, I usually write dialog with an edged pen (potentially slowest), narrative with flexible nibs (dips, these days) (faster) and use either standard nibs or keyboard for roughing out ideas (fastest). Curious, but significant? Quien sabe.

 

Whether longhand encourages the formation and transformation of ideas is another question. As I've remarked elsewhere, the pen does encourage a certain meditative focus. But it can also leave me more vague or waffly. What's common to both is an exploratory mood of sorts. This certainly backs up your idea, but I'd like to see research to back it up. (As would you, I'm guessing.)

I would. I'd be particularly interested in the test protocols.

The liberty of the press is indeed essential to the nature of a free state; but this consists in laying no previous restraints upon publications, and not in freedom from censure for criminal matter when published. Every freeman has an undoubted right to lay what sentiments he pleases before the public; to forbid this, is to destroy the freedom of the press; but if he publishes what is improper, mischievous or illegal, he must take the consequence of his own temerity. (4 Bl. Com. 151, 152.) Blackstone's Commentaries

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Re the question of speed -- when I observe cursive writing and other writing (done at the same size and by people of similar ages and with a similar length of study/experience as hand writers), the non-users of cursive generally write about 1.5 times as fast as equally legible cursive users.

 

This is very interesting to me - I have always found that, all other things being equal, cursive was the quickest way to write. I realize that I don't have your experience here - what am I missing, do you think?

 

I am in full agrement with Beak. How are these people writing if not in cursive? Printing? Shorthand? I can write much faster using cursive than printing. But a shorthand writer would be faster. It has been too many years since I used shorthand.

 

Reminds of what one of my late colleagues used to say: "There you go, thinking again!"

"Don't hurry, don't worry. It's better to be late at the Golden Gate than to arrive in Hell on time."
--Sign in a bar and grill, Ormond Beach, Florida, 1960.

 

 

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I have a problem with most studies favoring print. There's no way to tell if the people that took part are either good writers in cursive and print. My cursive has been a little slower after I used a semi joined print for a couple of years, but it didn't take long until it was faster again. I can't even let the "people need to type today argument" count. Everyone I know from school learned to type many years after they've learned to write cursive and print, and they learned typing much quicker than most schoolkids from today (that I know) too. This could be a coincidence, but it could be related as well. We needed to type, so we learned it, some learned to use their 10 fingers right away, others adopted their very own efficent hacking system.

 

I still think it's harder to acquire a decent skill in penmanship, but it doesn't need to consume much time in school, most is personal work. At least the basics should be taught in school. It might be unnececcary today, but that is true for most stuff we learn at school, because everybody goes in a different direction after school. What is the task of a school if not to give children the basics to develop in every possible way later? I can't imagine how hard it will be for anyone to start a life as an artist without the basics. In fact, most people wouldn't even get the idea to develop their skills and this might leave their true talent completely undiscovered.

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the fact one can't read is oen thing.. but excusing yourself because you can't is a different story. A good mind set is, "wow i cna't read this, let me research how to do it", people who research what they never knew have a positive intellectual outlook.

 

but when one says "what's that?" *SKIPS* or *forget it* then that is such a negative outlook.

 

i believe like how we use multi languages i'm a strong believer in being able to read more than just print. It is by far the most used font seeing as how 99.999% of our american books use some form of block print.

 

I think we can all agree writing is meant to be for communication, and we all choose our own way that best expresses our self to write. so i believe if you can read more hand writing styles you can communicate with more people.

 

 

i think the other point that was mad is true, because the text/email is our new form of communication majority of the time, all we really need to know is block print to communicate. Honestly if i could text in script i probably would, i think that'd be awesome to have font choices in basic phones(i dont have an iphone or anythnign fancy, idk if they even have fonts tho either).

 

 

I think cursive is seen as more intellectual or gives an air to be because those who know print might not know cursive, but those who can write/read cursive can definitely read/write print, so i think it's more that you just know more writing forms, n not whether it's harder or easier, tho i must say the potential for cursive to get complex is very huge as compared standard block print print, it can only get so fancy, from what i saw any ways.

my ign use to be da smart r**ard (oxymoron of course), but mods changed to dasmart, so don't think i'm arrogant or pompous, just more so bad luck with my own ign lols

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I just figured I would add my whole perspective on the cursive writing coming from a younger generation. I was taught cursive sometime early in elementary school, I would say for about two years we were required to write everything in cursive - after that I begin recalling that teachers would EXPLICITLY ask that you write in print anything that you turned in - I heard this echoed by different people throughout high school and undergraduate and on various standardized tests. While some cursive handwriting I've seen is consistently easily legible (my sister has perhaps the most easily read cursive writing I have seen in my life), it seems cursive handwriting - especially when written quickly, can be difficult to read. I've always remembered thinking - why exactly am I learning cursive when they're telling us not to use it?

 

I'm almost positive on occasion I've exclaimed "I can't read cursive" when presented with notes written in it... and it's not that I'm incapable of reading it, I would just rather spend more time focusing on the content of the written material than deciphering that individual's writing. Maybe it's a consequence of the information age, I want to be able to read something quickly and be done with it.

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Everyone I know from school learned to type many years after they've learned to write cursive and print, and they learned typing much quicker than most schoolkids from today (that I know) too. This could be a coincidence, but it could be related as well.

 

I'm 24 now, I began taking computer typing classes in kindergarden - during the time they just began to focus on printed writing of letters. I don't believe we began cursive until late second grade... I can't really attest to how quickly I learned to type (as far back as I can remember it has seemed like second nature), but I do know that most people I've encountered that are 5 or more years older than me are often shocked at the speed that I am capable of typing and I would say my skills are only slightly above average for my age group. Honestly, I can type significantly faster than I can think. I do think having good handwriting is important (though I'm not favorable towards cursive), but I don't think my handwriting skills really had any impact on my ability to type.

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Leaving aside shorthand (which I wasn't considering) — The fastest non-cursive writers, in my observation and experience, are those who either use Italic or whose writing approximates Italic (even though they have usually not been taught this style and did not even know that it existed). Writers of such home-grown quasi-Italic — and writers of Italic itself — tend to be significantly faster than equally legible writers of cursive, and significantly more rapid than equally fast writers of cursive.

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I'm almost positive on occasion I've exclaimed "I can't read cursive" when presented with notes written in it... and it's not that I'm incapable of reading it, I would just rather spend more time focusing on the content of the written material than deciphering that individual's writing. Maybe it's a consequence of the information age, I want to be able to read something quickly and be done with it.

 

Definitely have been the one offering said notes to a class, and getting the, uuuuh this is in cursive response back. Still, its really all about what someone is accustomed to, no big deal.

 

Except for truly atrocious handwriting, I used to dread English classes where we were forced to read one another's in-class essays. There were a couple of students with nigh-illegible handwriting. I don't know <i>what</i> it was.

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@ocularhp

 

I am 33 now and I grew right into the upcoming computer age. Most kids had access to the C64 (later Amiga) pretty early, but it took quite some time until the majority used computers for anything besides games. You learned typing pretty early (I think kids should play at this age, but this is another story), so it's hard to tell how it would turn out later. There are always talented people, that acquire certain skills faster than other. This is something we need to research further. Abandoning complete skills in school, just because they aren't en vogue anymore, is problematic.

 

Imagine we'd notice serious side effects, caused by the complete abandoning of cursive, too late. This might affect a complete generation adversely, maybe in a way not easy to correct.

 

The parallel teaching of cursive and print consumes barely more time than teaching print alone. I don't think this small amount of time is worth the risk. Actionism and Education aren't getting along pretty well, it's the education of our children that might suffer. The brain needs stimulation, the more the better. The individual skill *might* be useless, but learning is never in vain.

 

 

Even though I earn money with people unable to read something, I don't think it's a good thing to abandon cursive. Most of the documents are written in old german cursive (Kurrent), but I already had some documents written in contemporary cursive hands.

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You learned typing pretty early (I think kids should play at this age, but this is another story), so it's hard to tell how it would turn out later. There are always talented people, that acquire certain skills faster than other. This is something we need to research further. Abandoning complete skills in school, just because they aren't en vogue anymore, is problematic.

 

...I think a lot of us in the 20s age bracket all learned how to type pretty early, touch typing is the norm amongst my friends and I.

 

And I was playing. ^_^ It was called "Mavis Beacon Teaches Typing," anyone? Loved that game as a child.

Hah, also the only game that old computer could handle. I get a little nostalgic about command lines sometimes.

 

Definitely think that cursive shouldn't be summarily dropped from a curriculum, or at the very least, for goodness' sake, at least make sure kids leave elementary school with legible handwriting. Print, cursive, whatever mish-mash that they personally prefer, so long as it is legible.

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Ah, ok. There are different types of learning and I had those parents in mind that drag their children to those "learn the material from elementary school plus 2 foreign languages Kindergardens". My neighbors are toruring her little son this way, and he doesn't seem to be happy. My Godchild learned typing pretty early too, but simply by using the computer. She knew the location of the keys before she was able to write a sentence. I'd prefer to teach my kids to write first, but I guess that depends on many factors.

 

My wife (and other European people around 25 I know) learned to type a lot later. She had her first real lecture in her 8th year in school (Switzerland) and this was already pretty early compared to Germany. Everybody learned it as soon as they needed it. The only exception were people in apprenticeships that required a defined cpm on the typewriter/computer. This is indeed something that needs to be fixed (they already did afaik), but nobody would consider dropping cursive in favor of typing.

 

I went to the library today, but I haven't found many studies on that matter. I found some stuff supporting cursive, but that's no surprise in a country that still teaches it in elementary schools.

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