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Are Visconti Nibs Flexible?


wykpenguin

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I agree with GP and Deirdre (but then when do I not? :rolleyes: ) My Vs are wet but don't show much flex. I think GP has sent a few in to swap the nib for stubs.

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I may have one large Visconti nib that could be called "flexy" but I cannot be sure it is factory pristine. Agree with the adjectives used, describes Visconti nibs perfectly.

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I observed some differences:

 

1. Visconti Van Gogh maxi 14k gold F, rhodium plated - firm

2. Ragtime 20th Anniversary LE - 18k gold B, monotone - a bit of spring

3. Giacomo Casanova - 18k gold F, two-tone - also a bit of spring

4. Arte Mudejar - 18 k gold F, two-tone - more spring than the Casanova, although visually, they are the same nib (curious)

 

Again, as posted earlier by many others - spring not flex…

Edited by soloworx
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I find the nib on my Opera to be firm and wet. I suppose if one really wanted to add some flex to a Visconti, Mr Binder would be happy to oblige.

 

Yuki

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I have an Opera with a 14K fine that has quite a bit of spring to it, but the medium nibs, not much.

I came here for the pictures and stayed for the conversation.

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  • 2 weeks later...

I like their pens, but I also like flex nibs. So I need some encouragement before I take the plunge. Can anyone post some writing samples?

Yes they are for modern pens. They are not vintage Waterman's but for a modern pen they are flexible. The nib I tried is about the same as a Pelikan M1000.

Aurora Optima Burgundy Celluloid

MontBlanc 149

MontBlanc Starwalker Cool Blue

MontBlanc 144

Lamy 2000

and about 30 other pens

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I had an Opera Club before that had quite a bit of spring in the fine nib, I could get a decent amount of variation from it if I added pressure.

 

Most of my other V nibs don't budge, all wet writing though. If you're looking for flex, Visconti is probably not the best option, try Omas.

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Nakaya Kuro-tame Desk Pen with Platinum Blue

Visconti Van Gogh Maxi with Aurora Black

 

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I had an Opera Club before that had quite a bit of spring in the fine nib, I could get a decent amount of variation from it if I added pressure.

 

Most of my other V nibs don't budge, all wet writing though. If you're looking for flex, Visconti is probably not the best option, try Omas.

Not anymore, many new OMAS nibs are pretty firm.

Aurora Optima Burgundy Celluloid

MontBlanc 149

MontBlanc Starwalker Cool Blue

MontBlanc 144

Lamy 2000

and about 30 other pens

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My Visconti Opera has also a bit of a spring. Not semi-flexible, but almost and gives, like Feiye mentioned, a quite good line variation if you add some pressure. A very nice nib.

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My Visconti Van Gogh maxi with medium nib is very hard, but a very smooth and attractive writer. When I want flex, I pick up another pen.

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I have a Visconti Van Gogh midi , with a medium 14k nib . It's a great nib and quite "springy" if not flexy - not a hard nib at all . By contrast my modern OMAS fine nib is only very slightly springy .

 

simar .

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Most of the Van Gogh Midi pens have a steel nib, and their steel nibs are really firm, where the 14k have some spring, so that should explain the last two contrary answers. :)

deirdre.net

"Heck we fed a thousand dollar pen to a chicken because we could." -- FarmBoy, about Pen Posse

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Oops. Then it looks like I better stay with buying Vintage pens, but the Wall Street LE does look nice. Maybe the nibmeisters can help.

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For modern flex, there's the following options:

 

Semi-flex, where the minimum width is a contemporary western M: Omas Emotica, Stipula's Titanium nibs

Semi-flex, where the minimum width is finer: Pilot's Falcon pen, and then their #10 and #15 Falcon (FA) nibs on some other models like the 742 and 743.

deirdre.net

"Heck we fed a thousand dollar pen to a chicken because we could." -- FarmBoy, about Pen Posse

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  • 2 years later...

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