Search the Community

Octopus Write & Draw Duck Red Very nice, wet, lubricated ink, with nice shading (from dark to red), from Octopus with very long dry times on Japanese Paper (not for lefty over writers) It made my two scratchiest nibs sing, pilot Kakuno EF and the Osmioird with its needlepoint copperplate nib. Ink is well behaved on copy paper, unless you opt for a wet flex pen. Like most pigment inks, it’s not a good idea to forget it in a drafty pen. Ink would evaporate and will make cleaning slightly difficult. Note that all my samples bottles of Octopus inks have been more or less stained overtime by the dyes. Chroma: Writing Samples: Photo: Grey day photo Artificial led light - Iroful paper Comparison: Water test: Left side 10 seconds under running water. Art Work: This weeks artwork is a bit of experimentation and wackiness. Lady Kitty (The blue ink is a mixture of my De Atramentis Document /Artist Cyans that sticks to the paper like fly on a litter box :D) Paper is a a very bad/white Hilory sketchbook. Grandpa This draft sketch I did with a Osmiroid needlepoint copperplate nib. The nib is not suitable for sketching. But it worked out find. The cat reminds me of my grandpa who was very elegant The background is just a mixture of Lexington Gray and De Atrametis Document Cyan. and finally la pièce de resistance A day at the pond Octopus Write & Draw Red Duck De Atramentis Document/Artist Cyan in a brush pen, a touch of Noodler's Lexington Gray... Colorverse 58 Methuselah Grove (brown) The paper is the Hilory sketchbook. It's not suitable for ink work, and the De Atramentis sticks to , if the paper is wet .... · Pens used: Pilot Kakuo Ef, Lamy (EF/F/M/B/ Stub 1.1), Osmiroid – Copperplate nib · What I liked: Colour. Shading. Lubrication. · What I did not like: Long dry times on Japanese paper. · What some might not like: Same as above. AFOPI (Abnormal fear of pigment inks) · Shading: Yes, lovely. · Ghosting: Trace on cheap paper. · Bleed through: With flex nib yes · Flow Rate: Wet · Lubrication: Excellent. · Nib Dry-out: Did not notice. · Start-up: Very good, in a well-sealed pen or a pen used regularly. · Saturation: Nice red · Shading Potential: Excellent. · Sheen: Only on Iroful, silver like most Octopus w& d inks. · Spread / Feathering / Woolly Line: Did not notice. · Nib Creep / “Crud”: Did not notice. · Staining (pen): Did not notice. · Clogging: Did not notice. · Cleaning: On some pens easy, only water. With the Osmiroid it stuck to the nib. So needed more coaxing. · Water resistance: Excellent. · Availability: 50 ml bottles. Please don't hesitate to share your experience, writing samples or any other comments. The more the merrier

Octopus Write & Draw – Brown Seahorse This is a gorgeous, complex grey/brown with hints of burgundy, a match made in heaven for a dry pen and Japanese paper. Unfortunalty, I misplaced the chroma, but if it's any indication of the Octopus write & draw inks, it's a single dye component. It is very wet, well lubricated, and is one of the fastest drying inks, I ever used, which explains why there’s some bleed through /ghosting on Rhodia, even more so than on Hammermill! Writing Samples: I used respectively a Sheaffer Targe F reverse, Lamy Safari and for the final flex lines I used a Kanwrite Desire with an Ahab semi flex nib and for the name of the author I used the Sheaffer Targa, which has a semi-flex nib. Photo: Too my eyes, ink in more elegant with a drier pen that brings out the complexity and shading only on Japanese paper. There’s a hint of silver sheen/ reflection, under led lights, like most Octopus Write and Draw inks. Here you can see how it reflects on Iroful paper. Please note that the camera exaggerates the "sheen". This is only seen under certain angles with artificial lighting. Comparison: Water test: Left side 10 seconds under running water. Art Work: This was a quick sketch on a Talens Pocket sketchbook. Jacques Herbin Turquoise de Perse Noodler's Lexingtion Gray · Pens used: Sheaffer Targa F (reverse), Lamy (EF/F/M/B/ Stub 1.1), Kanwrite Desire with Ahab nib · What I liked: Colour. · What I did not like: Bleed through on c · What some might not like: Bleed through on Rhodia. It loves most Japanese paper. · Shading: Yes, on Japanese paper. · Ghosting: Yes, on cheap paper, Rhodia. · Bleed through: Same as above. · Flow Rate: Very Wet · Lubrication: Lovely. · Nib Dry-out: Did not notice. · Start-up: Ok · Saturation: Not saturated. · Shading Potential: Japanese Paper. · Sheen: Faint silver sheen on Japanese Paper, like most Octopus inks, under artificial light. · Spread / Feathering / Woolly Line: Did not notice. · Nib Creep / “Crud”: Did not notice. · Staining (pen): No. · Clogging: Did not notice. · Cleaning: It's a pigment ink, so you might need a cleaning solution. I had to use one for the targa. · Water resistance: Excellent. · Availability: 50 ml bottles, Please don't hesitate to share your experience, writing samples or any other comments. The more the merrier

Octopus Write & Draw Orange Monkey A slightly "neon-ish" light orange pigment ink by Octopus. Like most orange inks it is slightly below average in the lubrication department, with dry Ef nibs, but otherwise a pleasant writer. Ink is kind of flat under artificial led lights on most papers, but it goes crazy on Iroful paper with shades of peach, yellow orange up to red. There’s a silver sheen like most Octopus inks under artificial light on some Japanese papers, especially Iroful. It is legible, but a wetter pen, wider nib might be advantageous and of course good paper. Cleaning was easy, but I recommend a lit dunking in a cleaning solution. Octopus has a host of warnings and does not recommend you using it in your favorite shiny fountain pen. And recommends a well-sealed pen, which is a no brainer. About Octopus inks: They also suggest that the shelf life of their ink is two years, which is a bit surprising. This ink is ISO 12757-2 and DIN ISO 14145-2 and it's vegan in case you want to drink it Here is the list of complete line up: https://www.octopus-office.de/shop/en/creative-inks/write-draw-ink/?p=1 Chroma: Writing Samples: I reverse wrote with an Ef nib. Please note colour is very difficult to scan. Photo: Colour is almost distracting on Iroful. Iroful /Rhodia Day light Note how the lines are wider on Iroful and thinner on Rhodia Same paper Artificial led light during the day. (Your typical overcast late fall light ). The led is angled towards the wall and not the paper. Note how Iroful goes all funky and Rhodia demur Now this photo was taken at night, with Iroful paper, with the same led light, same angle. Ink is dry I assure you. Note depending the angle the colour changes. The combination of ink and paper at night reminds me of colour changing gems. It can be distracting Comparison: Scan is not alright, but it gives you an idea. Caran d'ache is a very bright orange for ex. Water test: Left side 10 seconds under running water. Art Work: And the cat created the monkey in Zeus' image A combination of impatience, wrong paper (I used an absorbent paper for pencil ) and mediocre drawing skills led to this sketch. I'll try to give it a bit of oomph with this story, I heard from my cat whispered in her sleep. 🙀 Once upon a time, Zeus left his throne dallying along with some shepherdess. Γάτα (Gáta), Zeus’ latest creation, climbed upon his comfy, cushiony throne, with, Ποντίκι (Pontíki, the Mouse) it’s sidekick. Pontíki stood guard, looking at the sky for Zeus’ signature thunderbolt, but he didn’t return. Gáta decided to create a being in Zeus's image, so he would feed it, keep it entertained and clean the litterbox! But being a Cat and not a deity, Gáta pushed said all the wrong incantations and thus the monkey was created. All it wanted was bananas, coconut trees and a lot of vines to swing. When Zeus returned he was so enraged that he banished Gáta to Earth and made Pontíki the Mouse and his descendants the cats prey as punishment, for eternity. With time, Zeus missed Gáta, his purring. So he created man to serve its descendants. This creation myth, of course, was rewritten by Man, who could not accept that monkeys were created before him and that he was to serve the Cat and not rule to the world. To this day, Man lives with this illusion. The following is a reproduction of Gáta creating the monkey. Octopus Write & Draw Orange Monkey Octopus Write & Draw Brown Seahorse (The cat's body, monkey's face, etc) Jacques Herbin Turquoise de Perse Noodler's Red Rattler's Red and Lexingtion Gray for the outlines.... · Pens used: Lamy (Reverse EF, EF/F/M/B/ Stub 1.1), Osmiroid Copperplate nib · What I liked: The colour on Iroful paper. · What I did not like: Pale flat, color on Rhodia. · What some might not like: Pigment ink, palish colour. · Shading: Paper dependant. · Ghosting: No. · Bleed through: No. · Flow Rate: Wet · Lubrication: Slightly below average. · Nib Dry-out: Did not notice. · Start-up: Ok · Saturation: Pale · Shading Potential: Paper dependant. · Sheen: On Iroful paper. · Spread / Feathering / Woolly Line: Did not notice. · Nib Creep / “Crud”: Did not notice. · Staining (pen): No. · Clogging: Did not notice. · Cleaning: I let it soak overnight, water was clear after all but after soaking in cleaning solution there was some orange pigment left. · Water resistance: Excellent. · Availability: 50 ml bottles. Please don't hesitate to share your experience, writing samples or any other comments. The more the merrier