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Found 3 results

  1. Lucked out and was able to purchase two very rare items for my vintage Pelikan collection: a retail luxury pen case meant for the 100 or very early (1938) 100N and the accompanying mechanical pencil set (Etui R), and a NR. 4 pen stand, both in matching silver-mottled black bakelite. Since their manufacturing was limited to just few years (or perhaps to 1938 only) they are exceedingly rare finds. Those silvery bits do not translate that well in photos but they do glimmer in light very nicely. I already had three different variants of the pen stand in black, so this was a really wonderful, and functional addition to my desk (yes, I like to keep them in use).
  2. Need help identifying this pen please! Than you in advance. Also, if someone could tell me if 180 euros is a good price for one, be my guest! Cheers
  3. I'm curious about the color progressions Pelikan celluloids go through over time. I know it's a topic of discussion in Japanese sections of the forum--people talk about the marked color changes in urushi, and in Waterman celluloid, but haven't seen any on Pelikans. Apologies if it is discussed online or a book I don't have... I like the green the light tortoise changes to almost more than the pristine light tortoise, for example, and it's fun to think about what these pens will look like a few decades on. I've tried to guess some of the progressions in color below. Pelikan enthusiasts and collectors, please chime in and correct or add to the list! 400, 400N, 400NN light tortoise --> light green (or are these the 'export' pens?) light tortoise? --> yellow mid-brown tortoise --> red-brown/orange vibrant green --> green/grey grey --> light grey/white 100N green --> blue-green (turquoise blue)---> slate blue-green/grey green --> olive green 100 marbled red --> burgundy brown --> gold dark jade green --> olive green 101N light tortoise --> light green (but could just be green barrel showing through) tortoise --> murky olive brown-green 80's-90's Modern/'old-style' 400 green --> blue/green brown tortoise (dark brown) --> light brown --> ambering/transparency New Modern: crackles, surface becomes opalescent (as a side note, I've noticed in modern pens I have the modern celluloid and plastics are unstable, too; the colors tend to bleed into each other over time)





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