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  1. Even though KittyInkpot proves not to be a brand completely without local stockists overseas (Soe and Soe, for one, has some of the inks from Season I and now Season II as well, when I checked a moment ago), it's a small Chinese ink brand you have probably never heard about. The one mob (possibly with multiple storefronts) on AliExpress that bothers selling relatively little-known, but visually interesting ‘chromatography’ or ‘gradient’ multi-shading Chinese inks, has only just started listing a small number. Generally speaking, it's the sort of thing you'd have to set up an account on Taobao to buy, whether you're based in China or elsewhere; and then it wouldn't be worthwhile, for the non-trivial international shipping charges, to order just one or two colours to try. It requires some real ‘commitment’ to explore. This is one of the fourteen KittyInkpot colours I ordered. These are the official marketing images for it: The annotations state the paper used there was (produced on) Tomoegawa's “machine number 7”, the colours are pink and orange and blue-purple, and expressed thanks to the named user who offered the writing sample. As you can see, there is no English name for the ink on the bottle label, only the name of the “season” or collection of inks to which it belongs. That all looks lovely, but how does the ink render “in real life“? On Exacompta FAF 70g/m² paper, writing with it looks fairly dull: It's a bit more interesting on the 70g/m² paper in Maruman ‘Spiral Note’ books: but still it doesn't render as shades of pink and indigo the way the ink is shown in the marketing images.





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