Jump to content

Search the Community

Showing results for tags 'organic studio'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • FPN Community
    • FPN News
    • Introductions
    • Clubs, Meetings and Events
    • Pay It Forward, Loaner Programs & Group Buys
  • The Market Place
    • The Mall
    • Market Watch
    • Historical Sales Forums
  • Writing Instruments
    • Fountain & Dip Pens - First Stop
    • Fountain Pen Reviews
    • Of Nibs & Tines
    • It Writes, But It Is Not A Fountain Pen ....
    • Pen History
    • Repair Q&A
  • Brand Focus
    • Cross
    • Esterbrook
    • Lamy
    • Mabie Todd Research/Special Interest Forum/Group
    • Montblanc
    • Parker
    • Pelikan
    • Sheaffer
    • TWSBI
    • Wahl-Eversharp
    • Waterman
  • Regional Focus
    • China, Korea and Others (Far East, Asia)
    • Great Britain & Ireland - Europe
    • India & Subcontinent (Asia)
    • Italy - Europe
    • Japan - Asia
    • USA - North America
    • Other Brands - Europe
  • Inks, Inc.
    • Inky Thoughts
    • Ink Reviews
    • Ink Comparisons
    • Co-Razy-Views
    • Th-INKing Outside the Bottle
    • Inky Recipes
  • Paper, and Pen Accessories
    • Paper and Pen Paraphernalia
    • Paper & Pen Paraphernalia Reviews and Articles
  • Creative Expressions
    • Pen Turning and Making
    • Pictures & Pen Photography
    • The Write Stuff
    • Handwriting & Handwriting Improvement
    • Calligraphy Discussions
    • Pointed Pen Calligraphy
    • Broad (or Edged) Pen Calligraphy

Blogs

  • FPN Board Talk
  • Incoherent Ramblings from Murphy Towers
  • The Blogg of Me
  • FPN Admin Column
  • Rules, Guidelines, FAQs, Guides
  • Musings on matters pen
  • Marketing & Sales
  • Iguana Sell Pens Blog
  • Newton Pens' Blog
  • Peyton Street Pens Blog
  • holygrail's Blog
  • A Gift For Words
  • I Don't Have a Name; So This Will Do
  • Karas Kustoms' Blog
  • Debbie Ohi's Inky Journal
  • Sus Minervam docet
  • Crud!
  • Clut and Clutter
  • Federalist Pens

Product Groups

  • FPN Pens
  • FPN Inks
  • FPN Donations
  • Premium/Trading/Retailer Accounts

Categories

  • Fonts
  • Tools & Software
  • Rules for Notepads & Paper

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Found 3 results

  1. I am a fan of sheening inks, and this is the king of them. At a very reasonable price I had to try it out, and I am glad I did. On Rhodia: On Tomoe River A4 A lot of the files are too big, so I put together an album: https://imgur.com/a/73uby
  2. Organics Studio is a boutique fountain pen ink company started by a University of Maryland biochemistry student. The company was present on the market few years ago and I guess some of their inks were quite popular. I remember I really enjoyed Walt Whitman, Blue Merle or Boron. In 2014 company's creator decided to take a break in creating inks and I have impression he did it in a way that discouraged many ink afficionados. Some of OS inks developped some sediment, some lost their colors or deteriorated. In June 2016 OS came back to market but as I see their inks aren't widely available. I believe regaining trust in our small world won't be that easy. On the other hand I would gladly try their new inks and if such a possibility arises I'll do it. The sample of Foggy Bottom Yellow Sepia was sent to me by MMG112 - thank you Mary, it's very generous Foggy Botto Yellow Sepia was first introduced at the Washington DC Pen Show in 2012. The first 100 bottles of this ink were labeled as a limited edition 1 through 100. Nowadays it's sold as part of standard (?) line of OS inks. The color is very light and unsaturated. As a result the ink isn't really practical. On the other hand it behaves pretty well on most papers (even on crappy Moleskine there was no feathering) and has very fast drying time. Flow: The flow is average. Saturation: low. Lubrication: less than average. Drying time: rather reasonable. 10-15 seconds on Rhodia, 5 – 10 seconds on absorbent paper. Clogging issues: None experienced. Feathering: none experienced. Bleedthrough: almost none, even on crappy paper - Moleskine Water resistance: this ink isn't water resistant. Drops of ink on kitchen towel Color ID Color range Rhodia, Hero 5028, stub 1.9 Leuchtturm 1917, Jinhao x750, M Moleskine, Jinhao x750, M Water resistance
  3. ClericalWriter

    Organic Studio Boyle

    First Impressions Tyler, from Organic Studio, had posed on Facebook, a few weeks back, that the was trying a line of pens and was offering them to beta testers for a reduced price. In the post, he showed a group of five ebonite pens of varying sizes and of four different colors. The smallest was the Mendeleev. It looked too small and thin. The next two were the same size, the Boyle and the Alchemist, the later having a hooded nib. The next size was the Lavoisier, which looked too big fro my small hands, and the final looked like a large cigar, the Special. The colors were black, red, brown, and green. I found the green most attractive and the Boyle most desirable. When I pulled it out of the wrapper, I thought it was of rather cheap or poor quality. It was light, the fittings weren't terribly shiny. The white embossed name on the pen was unique in my experience and seemed poorly done. This impression would prove to be false. Appearance and Design I'm a sucker for the look of ebonite pens. This one delivers that, very well, especially in the cap. It looks like black ink flowed into the fabric of a healthy leaf. This, along with the excitement of owning one early on in production, attracted me most to the pen. Embossed on one side is "OS Boyle" in white stamping. At first this attributed to my impression of it being cheap, but as I held it and looked at it and wrote with it, I felt like I returned to the 1920's (why? I have no clue). The white lettering gives it an old-timey feel. The fittings seem to be made of plastic or a dull metal. There is a band at the bottom of the cap. The clip starts at the black finial and comes down. On the clip is Organic Studio's Indian manufacturer, Ratnamson Construction and Quality The pen is light. At first, I chalked it up to cheap, but then I got the idea that it was intentionally made light. This is the kind of pen with which a book could be written. Your hand can use it for long periods of time without fatigue. That makes the pen a serious though the extended writer. The clip looks weak but again looks are deceiving. I can withstand a bit a beating. It's solidly build and yet has enough give to be put in and taken out of pockets without much difficulty. The grip section is very comfortable especially for my small hands. Larger hands and fingers might find themselves on the top part of the threads. The little lip disallows slippage. Speaking of the threads, there are 9-11 threads for the cap, so ... there is a worry that this cap will 'accidentally' fall off. It secures itself on there like a child to his father's leg. This isn't a quick draw pen for sure, not one fore mere signatures or quick notes. It expects you to sit down and write. Also, there is no need to worry that ink from the body will leak out. There are the same if not more threads to detach the body from the grip sections. It thoroughly seals the body to the grip section. It doesn't have the rugged feel of a Lamy Al-Star, but it isn't a fragile pen either. It might, in certain conditions, crack. So I wouldn't take this on a hunting trip despite its camaflouge-esque look. It would keep on the desk or in a case. if being carried around. Weight and Dimensions As I've mentioned previous, this is a light pen. It feels about the weight of a Pilot Prera, or another similar build small pen. I have a picture here of its comparative size to a Prera and a Safari. It posts well without any difficulty and remains there solidly. It is the perfect size for my hands but will still work well in larger, hands when posted. It also remains balanced when posted. The cap doesn't make it top heavy. Nib and Performance Before I go into its performance, the facts: 1) its a two tone German-made iridium nib 2) its only made in medium at this time This is where, originally, the pen failed miserably. I filled it with an Italian scented ink that smelled like Pine and had decent color. Because there was a small space for the ink to flow to the feed I wanted to use an ink I didn't care about that much, just in case in wouldn't work. I filled the body, flooded the feed by turning it nib down for a few minutes and then set it aside to let it move more naturally. About 10 minutes later, I took it up to write. It scratched and nothing came out. I pushed down hope to open it up and it finally flowed. "Great! It wrote!" I thought. So I set it aside on my desk to do something else and picked it up an hour or so later. 30 seconds of scratching and I had to unscrew it to make sure there was ink in the body. I wet the nib and it started again. Then, I put is aside for when I had time to write this review. A week later, again it was dry. I wetted the nib, but this time nothing came out. The body was full of ink! I cleared out the ink. Cleaned the pen as best I could and refilled it the next ink in my rotation, Chesterfield Ruby. This became a whole new pen. It flowed much more evenly and didn't even dry up after sitting for periods. With that said, the nib started scratchy with the Ruby, but as the ink flowed, the smoother the nib got. It's not a gold nib, but it doesn't feel like chalk on a chalkboard anymore. It does take two or three strokes to get started, if you've let it sit for longer the a few hours, but after that it doesn't need anymore. It hasn't skipped at all. It does seem to work better with some inks, or it could've been that there were manufacturing gunk in the feed. As for the line itself, it maintains a good consistent line. It holds the size of line between a Lamy M and F. I prepared this review in a paperblanks notebook and it handled well. It writes well on Rhodia as well. The nib seems to be form fitted into the grip section but I couldn't pull it out barehanded. Filling System and Maintenance I received the eyedropper version. There is also a version with a sack, but, to me, the sack is superfluous. This baby holds a good amount of ink. (Exact quantities I don't know, but at least a half of a syringe purchased from Goulet). What's very different from any other pen that I've seen is the channel were ink flows from the body into the feed. It about the size of a needle. It's tiny. I originally though I received a defective pen because it looks like there's a plug in there. That being said, thick high pigmented inks might have trouble flowing through it. This pen isn't easy to clean either for the same reason. You can't flush the pen out very well because the hole is so small and if you do, you'll need a larger space for excess water spillage. It doesn't have the east of a cartridge/converter. Cost and Value It's sold at most retailers for $25 USD, which I think is a fair price for the pen. It give the student an option for a cheap ebonite and the eyedropper experience/benefit. In that way, has found a niche with very few comparable competitors. Conclusion I'm glad I didn't judge this book by its cover. The more I wrote with it the more I liked it. The scratch has greatly decrease after extended writing, making it a joy to write with. It would definitely be an option in my mind as "the pen" for my next work of fiction because of its light weight and high ink capacity. Well, worth your $25.





×
×
  • Create New...