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Yodaki(夜焚) is the summer colour in Sailor's most recent series of Shikiori, or Four Seasons, dye inks in what was the Jentle Ink product line. If I'm not mistaken, it is one of the Sailor inks that has only ever been available for retail in the new 20ml bottles, at the new pricing greatly inflated above that of the discontinued 50ml retail Jentle Ink bottles. All the same, I really wanted to love this ink in spite of that, after reading Lgsoltek's review of it, and it looks like such a good match for my new (eleventh) Pilot Vanishing Point with the deep red birch barrel. http://www.pilot.co.jp/products/fc_25sk_dr.jpg (image from Pilot Corporation's product page for the pen) Alas, I bought the ink (shipped directly from Japan), filled the pen with it, tried it and struggle to get along with it. (Now, this falls a little short of a full ink review, since I'm still slowly working out what I want to do and what I want to cover. I started this particular test page with a view to answering a completely different question; so, again I'm only using one type of paper that does not cover all the use cases that I think are worthwhile.) Flow This is a 'wet' ink. There, I said it, even though I professed to be disinclined to categorise inks in that manner. I have never met an ink that is more keen to escape the converter, be it through the feed and nib or otherwise. Given that I was testing three differently nib widths for the Pilot VP, I thought the reasonable thing to do would be to just detach the converter from one nib and then attach it to another other. In five years of using Pilot VP pens, I've learnt roughly how much unfilled space I need to leave at the tip of the converter, so that ink wouldn't just gush out from the other end when I connect it to the feed, ... except that it didn't quite work out that way with this ink. It gushed. After removing some ink from the converter and trying again, it didn't start bleeding from every orifice, but then it wrote so wetly that ink was pooling along each pen stroke even after two lines of writing, and taking some ten minutes to dry on the page, I kid you not. That ruined my first attempt at producing the test page. It wasn't just with the M nib (which is the widest of the lot) that this happened, either; I also got that with the F nib, both of which are not new nibs to me. (My new Pilot VP pen came with an EF nib.) After a bit of trial and error, I found that I had to leave about 20-25% of the converter empty for that not to happen with this ink. Next, after the few lines of writing I do with each nib, I was surprised time and again how much ink was consumed. Maybe it just ended up in the long neck of the VP nib, but that's not usually the case with my VP pens, and a single full refill lasts ages. Not with this ink. Then, while I held the converter with the open end pointing up in one hand, to reach for the ink bottle with the other, ink would just somehow leap out of the half-full converter only the test page or my desk. Usually inks would stay inside the converter even if I held it with the open end pointing down! Not with this ink. The splatter on the test page between '5' and '10', between '15' and '20', and on the last line of Chinese writing came from different instances of the ink making daring escapes. So, yes, I'm now convinced there is such a thing as an undeniably 'wet' ink. Drying time Coupled with a 'wet' writer, this ink is still prone to some degree of smearing after 30 seconds, at least on the Rhodia paper I used. I'm not sure whether there is some unevenness in how certain components of the ink are distributed in the liquid, or that my pen burped in a way that I didn't visually detect, but the smearing in the middle of the third line of Chinese actually happened quite a number of minutes after the line was written. Maybe a couple of microscopic droplets of water landed there out of nowhere. Whatever the cause, this is one ink I would not count on not smearing after a full page of writing. Ghosting and bleed-through Effectively none just from normal writing. Where I wrote 'SHEEN' and 'Sheen' are special cases; I was deliberately trying to produce ultra-wet writing I observed earlier, in order to elicit an astounding amount of sheen. (More on that below.) Water resistance This ink has a fair amount of water resistance. OK, surprisingly good, actually. Shading This ink proved apt to produce shading, but you may have to look closely, because it doesn't appear as pronounced as in some other inks. Sheen Oh, this ink sheens alright, even on Rhodia paper if one lets his pen write way more wetly than is healthy. Where I have written 'SHEEN' and 'Sheen' were (counter-productive) attempts to reproduce this effect I observed, when I was trying to work out how my first test page got ruined. Interestingly, there was no bleed-through on the reverse side of that word. My Verdict Given the per-ml price of this ink, how the 'wetness' of the ink itself seems to want to push consumption to a whole new level than what is acceptable to me, and how it managed to get all over the inside of the half of the pen barrel that has the trapdoor, I'm not so keen on using it in my Pilot VP pen any more. With so many similar colours in my collection of inks from which to choose, I think I'll have a lot more peace of mind with Sailor okuyama, Diamine Red Dragon or Diamine Oxblood, and that's not even counting new inks I have already bought but never got around to trying yet, such as the Monteverde Gemstone collection.

Hi, I'm new to restoring Waterman safety pens, I read up on their disassembly and replacing the cork with o-rings (which I plan to do with this one), but I haven't seen much on restoring the cap. Is there anything to replace in the cap or a way to check if the cap seal is working properly? My second question is about an overlay. Is ther a way to remove the overlay to better polish it and clean the barrel underneath or would that just break the pen? (I'm guessing their isn't, but though I'd ask). Thanks in advance for your help!

Well, I can't not review what is my currently favorite blue. (though I'm digging Bleu Ocean a lot right now.) Sherlock is the only fictional person in the De Atramentis historical persons series of ink. I like dark blues. Though sometimes bright blues. Just never boring blues. I think this one is a good deep and dark blue. It's got more color to it than my Noodler's Blue Black (which sometimes just looks black). This one flows well. I've never had any real problems with it. It's also got some water resistance. And some pretty shading. Dry time is a little longer than most of my inks. And come on, it's Sherlock. It's actually a decently appropriate color for his character. Night blue. Anyway, yes it's a cool character. But it's a good color too, and a good ink.