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PRELUDE Compensating for missing out on an Omas Extra Flessible nib I managed to snag an Omas Arte Italiana Vision fountain pen back in 2015 when Omas was still around. The Art Vision in green/emerald with a medium nib is absolutely adorable and perfectly showcases the design flair Omas was known for. Just take a look at the ruthenium-plated ‘O’ on the finial. However, the extra-flessible nib always intrigued me, especially when Omas launched the Ogiva Alba & Cocktail series with that option. But my courage couldn’t match my budget or rather the lack of it. So in mid-2020, I went for a Scribo with a Feel the Flex nib to address this emotional gap. A chat with ever-gracious Frank from Fontoplumo assured me that Scribo indeed had the Omas equipment as the other reviews suggested, so the nibs would be similar, if not identical. Somehow, the newly resurrected Omas pens don't quite capture the finesse that the classic Omas pens had in abundance. If you like a pictorial blogger view, here is the link: A Review of the SCRIBO Feel Melograno PRESENTATION (3/6) A cardboard box and a canvas wrap The packaging is pretty basic and seems to be a combination of eco-friendliness and cost-friendliness. The cardboard box didn’t survive my move, it looked like it lost a fight crumpled under a paper weight. So, no photos or fond memories of the box. I mean, if you're charging over $500, wouldn't it make sense to spend 1/20th of that on a box that doesn't self-destruct? Anyway, rant over, I did manage to keep the off-grey canvas wrap, so at least there's that! As you can see, the wrap can carry two pens and a polishing cloth. Alas! they forgot to include the polishing cloth. DESIGN (4/6) Somewhat Greek-y Functionalism sans a Greek-key I had the chance to chat with Luca from Scribo, who I later found out is the founder of the company. This conversation happened because the metal parts of my pen decided to oxidise themselves within a month. Rust spots popped up all over the cap band and parts of the clip, like the pen had gone on a deep-sea dive. I was shocked to see such quality issues with the plating so soon. Even my Platinum #3776 took a good 3-4 years to show off how thin its gold plating was, but for the price and the gold nib, I could live with it. A penalty of -2 for all the trouble, but the excellent customer service from Luca within COVID-19 restrictions adds +1. @luca-baglione and his team handled all the issues with incoming customs when the product was mistakenly declared as merchandise by the postal department here. He was gracious enough to send a free sample bottle of Rosso Melograno ink along with the pen. I love the colour more than Rosso Chianti which would be the one to go with the pen. Melograno in Italian translates to pomegranate tree. One of the reasons I chose this variant is that I did not have any fountain pens in those hues, unless you consider a Platinum 3776 in burgundy to be one. Especially with the subtle play of maroon, pink, and white streaks in a cracked ice pattern, the pen becomes quite attractive. The pen feels substantial in the hand, thanks to its hourglass design and gentle tapering at the finial ends. It is slightly larger compared to an Omas Vision/Paragon, which initially felt a bit odd. The legendary dodecagonal structure is aesthetically pleasing and prevents the pen from rolling off surfaces. Compared to Omas, I feel the Scribo Feel leans more towards functionalism rather than aesthetics. Unlike the Omas, there is no Greek-key design on the cap band, and I feel the design has been somewhat rushed for the sake of modernism, with quick parallel lines. The uncapping is quick and takes about 1.25 turns for the cap to come off - perfect for those impatient moments. A nice touch is the continuation of the dodecagonal structure into the section. The section itself is long and comfortable to hold, ending with a rhodium-plated ring for that extra bit of bling. More on that later. Somehow, I probably expected a classic Omas-like Greek key design here too, but I guess they decided to leave ancient history in the past. Now, coming back to the cap, it feels substantial with its spring-loaded convex clip that curves into a concave arc towards the end. The clip is one of the best functional parts I've used, much like the GvFC clips—seriously, it's like the Swiss Army knife of pen clips. The cap band is adorned with parallel lines and proudly displays SCRIBO, which stands for Scrittura Bolognese or "Bolognese writing," alongside their slogan, "Feel the Writing”. And yes, it does feel very comfortable while writing, like a handshake from an old friend. The finial, or cap medallion, is inscribed with a feather quill and features some parallel lines running along it. The cap gently tapers towards this end. Nothing too remarkable here. FILLING & CLEANING SYSTEMS (6/6) A convenient piston filler The piston mechanism is very well made and seems functionally superior to the Omas Vision I have, in terms of suction and smoothness of operation. However, Pelikans are probably the best of the lot. The piston fills up smoothly with 1.3-1.4ml of ink. The mechanism includes a brass/metal sleeve, adding some extra heft to the Feel. No complaints here—it works like a charm. My only gripe, shared by a few others, is the lack of an ink window. With the flexible nib and wet ebonite feed, this pen runs out of ink faster than others with similar ink capacity. NIB - ALL THAT MATTERS (5/6) The Extra-Flessiblity The Scribo Feel series boasts an array of around 10-12 different nib variations, now including both 18k stock and 14k flexible nibs. While I haven’t had the pleasure of using an 18k nib yet, I imagine it’s as soft and luxurious as an Omas. The 14k ones are meant to cater to our extra-flessible desires. Love it! Except for the inscription. The 14k feel the FLEX, Fine nib. It’s simultaneously one of the most beautiful nib in terms of writing and unappealing in terms of design. While it may have the writing charm of Omas nibs of yore, the embossing of slogan, company and gold content of the nib residing within an elongated hexagon doesn’t market the nib well. But I do not think the Omas extra-flessible nibs had much to offer either. Speaking of shape, the nib bears a striking resemblance to the Omas Art Vision. Once you turn the nib, the first thing you'll notice is the feed, and then the tip. The tip appears to have a sort of an elongated bulb. The feed has the exact same structure as an Omas. It’s a heat set black ebonite feed and supports the wet ink flow very well. In theory, ebonite attracts water as it is hydrophilic as opposed to hydrophobic plastics which repel water, thereby wetting more efficiently under the nib. PHYSICS OF IT (6/6) – RELATIVELY SPEAKING The Newtonian Laws The overall capped length measures approximately 15 cm. The section offers one of the most comfortable grips in my collection, with a diameter ranging from approximately 1.1 to 1.2 cm. Below are pictures along with a Sailor Pro Gear Fujiyama Realo for a comparative reference. It was in rotation and sitting pretty, so I thought of taking a few pictures with that. Normally, I would post a standard Sailor Pro Gear, while writing. Here go the dimensions. Uncapped Length ~ 13.5 cm Total Length ~ 15 cm Exposed Nib Leverage ~ 2.5 cm The weight of the pen is comforting even without the cap. Overall Weight ~ 37.6 g (inked, without cap ~20.5g) ECONOMIC VALUE (4/6) Functionality vs Price I paid the full MRP for this pen. While it's finely engineered, I find it lacking in overall aesthetics compared to the venerable Omas pens of yore. Given the premium price, I would expect a more pleasing design on the cap band, thicker plating to prevent oxidation within 2-3 years, a more attractive cap medallion, and some attention to the inscription on the nib. Additionally, there are some micro spots of oxidation appearing on the trims, which are visible in the photos. WRITING & FINAL COMMENTS (4.7/6) Pleasure to write with, aesthetics need to scale up The writing experience with this nib is among the softest I've encountered, responsive to pressure and writing style. Even without intentionally flexing the nib, its natural tendency to vary strokes is impressive. This nib writes wet without any issues of drying out or railroading. The slight feedback it provides is more about control than a flaw. With moderate pressure, the nib flexes, opening its tines and increasing ink flow. I handle it with care. On Endless Regalia 80 GSM paper, using Iroshizuku Yama Budo ink, lines take approximately 45-55 seconds to dry. While I'm not particularly inclined towards flex writing, the nib does offer pleasing line variation. I've been using this pen on and off since 2020, and it has become an essential part of my rotation. One crucial aspect is the approximately 3cm long, polygonally contoured section, which provides an incredibly comfortable writing experience. I find the section threads non-intrusive while writing. I appreciate Scribo's differentiation from Omas, as highlighted in Dries' excellent review. However, I can't help but feel that the aesthetics have declined from Omas' standards. I would prefer the pen to have metal sections that are better finished and don't oxidize every couple of years. Now, over to @luca-baglione and team to make those improvements. Thank you for going through the review. You can find other pen and paraphernalia reviews here. REFERENCES The Pencilcase Blog Scribo - About Us

SCRIBO FEEL I should begin this review by acknowledging the elephant in the room; I was (and still am) an Omas fan. There are two aspects of Omas that I really enjoy. The first, most practical, is the nibs. They are truly in a class of their own, right up with custom work I’ve had the pleasure to receive from Oxonian. They just suit my hand and my writing “style.” The second aspect is the relatively small company behind them. I never really got into the fancy pens produced during the LVMH years, though I understand why a small company had to make the decisions it did. But Omas always produced a line of relatively affordable and beautifully crafted pens. So when considering what might make for a “new Omas” I was looking for great nibs and the sense of a small company/workshop; who doesn’t love the romance of a pen made by an atelier in Bologna, just round the corner from the oldest university in Europe? So it’s fair to say I have been a little hesitant to explore some of the claimants to the Omas crown. They either were producing different nibs or were aiming to create companies that would fill the same space in the market and allude to their Italian roots, sometimes when their claim to being related in any real way to Omas was perhaps a little thin. For example, I am not completely sure that simply using the same body materials really establishes a line of descent. Scribo (Scrittura Bolognese) was created by folk who actually worked at Omas. They claimed to be using the same nib manufacturing jigs used for Omas, and they certainly count as a small atelier. The central team is Luca, Elena, and Flaminia! Luca is an excellent, funny, and warm correspondent whom I knew slightly from Omas days, and so I decided to give their first production (as opposed to custom) pen a go. That pen is the Feel. I will not be referring to Omas again in this review (except for once). This review is an assessment of the first real product of a small shop in Italy, created by a new design and marketing team and, perhaps, destined to take its place among the legendary European manufacturers. I really like to support start-ups, so when the pen became available for purchase in Fall 2018 I held my breath and ordered two, one for myself and one for my long-suffering partner to acknowledge an anniversary and her patience. We received them early in December 2018 and saved opening them until 25 December. I really enjoyed the experience of opening the big white boxes. The packing was simple but lovely, and ALL RECYCLABLE! That’s wonderful. As you can see below, the pens come in a leather and fabric wrap. Now, usually I’m not a fan of such things, but this one has a sort of mediaeval vibe that I quite enjoy. There is room for two pens and a pocket for a cleaning cloth. I’m going to try slipping the back cover of a midori travel notebook into that pocket and see if I can make it up a handy travelling kit. My partner, for whom I will use the pseudonym Her Majesty (HM), thought that the experience of unwrapping her pen was “really luxurious.” I think this is absolutely accurate. Despite the simplicity of the packaging, there is a Mont Blanc-like satisfaction of unwrapping the pen. I’m not a big fan of MB as a brand, but they do make their pens feel special in a way I believe only Nakaya really match. Scribo is right up there in terms of the “this feels special” factor. I'm sorry for the photos, but I'm not Christof! Still, they do give a "real-world" feel for the pens :-) I’m not going to give ratings out of ten for the factors below, since they are really just a form of disguised subjectivity. But you’ll know what I think! ______________________________________________________________________ Appearance & Design The pen is available in two colour ways, and we received one of each. Mine is grey-blue with ruthenium trim, while HM’s is dark blue with rhodium trim. Both are very attractive, and we each prefer our own! The plating on both is flawless, with the ruthenium seeming perhaps a tone or two darker than I’ve seen it in other applications. The ruthenium works beautifully with the grey-blue, and the dark blue and rhodium is a classic combination. Both versions would work well in a professional environment, with the grey-blue being perhaps more quirky/designy in appearance. The pen, as should be obvious from the pictures, has two unusual design features. The first is the swells, giving it a Mae West sort of look. HM calls my PFMs Rita MacNeil after a well-endowed Canadian songstress, but considers the Feel much more like Claudia Cardinale- a compliment indeed! The curves have a practical purpose. The Feel is a big pen, about MB149 size (see comparison shot below, with a Parker 51 and M805). It does not feel too big in the hand though, because the section is narrow. The wide part of the barrel sits in the web of the thumb, and balance the pen very nicely. It’s an interesting and unusual approach. The other design feature is the facets, of which there are 12. They are rounded but obvious on the body and cap, and fall away to a gentle ridged effect on the section. They improve grip and angle unobtrusively. They also align from one end of the pen to the other, not an easy feat with 12 facets and two screw threads to get right. As seen in the photos, the cap finial has the Scribo logo (a quill) set into it. The cap does not post. The cap band says “SCRIBO Feel the writing” Overall, this is a lovely full-sized to large pen with lots of presence and terrific manufacturing standards. There is literally nothing to complain about here. Construction & Quality This is an expensive pen, so it’s fair to expect great construction and quality, and the Feel delivers. It’s not a super fancy pen, it hits the point where the curves of utility and luxury cross. My view is that it’s better put together than an M800 (or M1000 in strict terms of size) with better flow in the design and absolutely perfect execution. This pen really does feel special. I cannot see where a single corner has been cut. HM says that the pen gives the exact opposite feeling from renting a cheap car! Weight & Dimensions This is a big pen. Weight capped is 36g, and uncapped but full of ink it’s 21g (This is the same as a M800 posted, for easy reference). Length is 147mm capped, and around 136mm uncapped. Due to the design it’s surprisingly easy to handle. I’m not usually a fan of huge pens, but as dapprman says on his video, this one just seems to work very nicely. Nib & Performance This is where it all gets interesting. The Feel comes equipped with a very nice ebonite feed. I know the science that says it doesn’t make a difference, but I have to admit in my experience I’ve often perceived that it does. My Feel has an EF Flessibile (bearing the phrase “Feel the flex”) and HM’s has a regular F (“Feel the writing”). Both are very, very good nibs indeed. The flessible has a slightly wetter flow, and provides plenty of character to one’s writing without trying at all, even for those of us with a very light touch. The regular fine nib is a little drier but works extremely nicely. HM gets some line variation from this nib (it is a soft nib) but has less of a light touch than I do. This is where the final Omas reference comes in. It’s just unavoidable. These pens write just like my Omas when the Omas are properly set up. They have that indefinable feel of a “real” nib, not too smooth, not scratchy at all, but just the presence of the nib on the paper. They were both absolutely perfect out of the box, no baby bottom silliness or mis-aligned tines. If you told me these nibs were just back from a nibmeister, I would believe you. I’m really impressed. Line width is slightly thinner than Pelikan using the included ink sample, in my opinion. Fine is a good all around width a tiny bit thinner than a Lamy 2000 Fine, while ExtraFine is visibly thinner than a Pelikan M120 EF. To be honest, though, I’ve only used the included ink in the pen. It’s a cool misty grey-blue-black which is lovely, both vintage and ultra-modern, somehow. However, the nib widths should be treated with a slight pinch of salt since I don’t know how dry this ink is. I expect that nib widths will be consistent with Omas, if folks need a reliable reference. So which nib to choose? I’d say the EF is a great nib, and not at all temperamental. The regular Fine is a terrific nib with quite different characteristics. I don’t think you can really go wrong, it comes down to use. If you have a heavier hand, it might be too much for the flessibile, but you’ll see some nice variation from the regular nib and I suspect you won’t miss the flessibile. The top sample is the EF Flessibile, the bottom is the Fine Regular. You may note that HM and I do not spend our spare time in calligraphy classes . . . Filling System & Maintenance This is a really nice smooth piston. No problems whatsoever and a pleasure to use. Cost & Value These are not cheap pens, being €530 to those of us living outside Europe (just over $600US). But that tells us very little about value. For me, I feel (heh) they give good value. I got to know Luca a little better and felt that I was supporting a small scale start-up, and in return I got an excellent product with an outstanding writing experience. I can compare this with buying Nakayas and Pelikans. Nakaya produce pens for the same price (and way, way up) that feel more personalised, but the overall experience doesn’t give you a story, and they are part of a corporation. Pelikan M1000s are around €100 cheaper right now on Amazon.de, but again no story, and no personalisation at all. Taking these prices into account, my personal view is that the Feel hits a sweet spot where you are getting a great experience and a terrific, beautifully-made pen for a small price premium. For somebody like me, who enjoys a bit of “special-ness” in the tools of everyday life, and who is lucky enough to have the choice, this is an easy decision. Also worth noting-- a three year guarantee . . . Conclusion I really like this pen, and look forward to using it for years to come. The fact that HM has its sister in memory of a special event, and that it does feel like an artisanal product, just add to that. It is going to take me a couple of weeks to adjust to the size, but I’m up for the challenge. HM is very happy with hers, which makes me happier still. This is a terrific first pen for the general market, easily placing among the best European pens available, and suggesting that there really is a small new Italian company with all the history and values we associate with that beautiful part of the world. Thanks to the Scribo team for giving this venture a go, and good luck to them! Pros - Presentation is outstanding - The writing experience is superb - It’s a big, comfortable pen - Flawless construction and set-up Cons - It is expensive for a new brand - It may be too big for the smallest hands

Scrittura Bolognese are producing a limited edition of their Scribo Feel with a 52 degree nib, with 50 per cent of the profit going to charities helping with the coronavirus crisis in Italy: https://www.scritturabolognese.com/en/negozio/fountain-pens/feel-together-2/?utm_source=Maybe+slowing+down&utm_campaign=march272020&utm_medium=email

Sometime in 1986 or '87 my father gave me a Cross Century Classic set as a gift (black/ gold finish; fountain pen, ballpoint and mechanical pencil). Shortly thereafter, the fountain pen was damaged after falling from my shirt pocket and was never repaired (parts got lost along the way). As the years passed, I kept wanting to replace the pen with a similar one but for one reason or another, I never got to bought it back. Last week I finally went to a pen shop to look for it, but I came away empty handed and feeling sad for what was shown to me. A far cry from the great pen of my memories. The black finish had almost the same texture, but the pen felt noticeably lighter. Also, the blind cap was a gold-colored contraption about an inch in length, that look cheap and also made the pen IMHO, look like a pirated version of the original (mine had just a gold button up there). To make matters worst, I was told that Cross had moved their entire production to China, which kind of mooted the point of expending extra for the brand. I still own the pen and pencil, and they definitely feel much more solid and of better quality than the "new" fountain pen. Does anyone here has purchased this new version? How does it compare with a 30 year old model?